Review: Au Bois D’Amour. Claire Tabouret at the Institute of Contemporary Art (Miami, FL)
Each element of Au Bois d’Amour is textured, imperfect. These works are real, and they’re raw, and dizzyingly rich because Tabouret has allowed herself to be.
Review: Blood and Bodies, Mingled and Imperfect. Elizabeth Tremante at Spinello Projects (Miami, FL)
One of Tremante’s most gut-punching works bides its time in a fiercely sunlit room in the back of the mostly windowless gallery, where heat seeps in and blood flies.
Emilio Martinez’ “Mother of Us” + “Father of Us. ” (2014–2015)
“It’s like giving birth,” Emilio Martinez will say when asked about his artistic process. “The idea is conceived, and at the moment it’s ready to be born, it is.”
Emilio Martinez’ “Channeling the Old Masters” (2021)
Channeling the Old Masters is a collage opus featuring Martinez’ signature characters